Monday, December 31, 2012

New Year - 121231 - Music Manumit Podcast

Fireworks display at 2006 "Thunder Over L...
Fireworks display at 2006 "Thunder Over Louisville" show from the Kentucky side of the Ohio River. (Photo credit: Wikipedia)



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In this episode:
Tom asks about CC-BY derivative works, Doug sets him straight.
Will a new Happy Birthday song ever take off, and why is it so easy to write classics for other holidays?
This and more in today's episode.

Friday, December 28, 2012

Music Only - 121228 - Music Manumit Podcast

New Years Eve 2012
New Years Eve 2012 (Photo credit: okchomeseller)



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Doug's Picks - New Year's Resolutions!
  1. "Run for the Prize" by Joseph G Vincent (folk) - CC BY-SA - Website
  2. "Work, Consume, Die" by SOB Pariassound (post-punk) - CC BY-SA - Website
  3. "Work These Hands" by Cletus Got Shot (bluegrass) - CC BY-NC-SA - Website
  4. "No More Running" by Eat Well Earl (punk) - CC BY-NC-SA - Website
  5. "Gym Beat" by Shanel (instrumental) - CC BY-NC-SA - Website
Tom's Picks
  1. "Secure the Ropes" by Hudson (Pop, Indie-Rock) - CC-BY-NC-SA - Website
  2. "David And Bathsheba" by Silence Is Sexy (Pop, Rock) - CC-BY-NC-SA - Website
  3. "Love in Vain" by Zachary Cale, Mighty Moon & Ethan Schmid (Psych-Folk, Drone, Shoegaze) - CC-BY-NC - Website
  4. "SChnitzel Polka" by Cherly KaCherly (Electronic, Experimental Pop) - CC-BY-NC-SA - Website

Why Fair Use Is Important

This is not legal advice. Leave audio feedback at (512) 686-6329.

Issue: Should plaintiff's bear the burden of rebutting fair use in their case in chief?

I'd like to start by saying I hope any readers have had a great Thanksgiving and I'm sorry its been so long seen I posted, the holidays can be hectic, especially if you have law school finals.

I believe fair use is the most important aspect of American Copyright law because it is really meant to achieve the purpose of copyright law which is to promote the progress of science and the useful arts. Which is not to say that other aspects of copyright law do not promote science and the useful arts but fair use is an important balance to the economic incentives given to copyright holders and the right of others to communicate freely.

Doug posed an interesting thesis that rebutting fair use should be an aspect of a prima facie case for copyright infringement. I disagree mostly for procedural reasons. Lawsuits start with a plaintiff filing a complaint and then the defendant filing an answer. Then there can be a motion for a judgment on the pleading if it is clear that no real case exists. (or in some rare debt collection cases I believe a plaintiff can win on judgment on the pleadings.) Requiring plaintiffs to rebut a case for fair use in their pleading before discovery would frustrate the doctrine of fair use because fair use is a fact intensive doctrine. Judges need to have a strong grasp on all relevant facts in order to determine whether a use is fair or not. Forcing plaintiffs to allege that fair use is not possible before the plaintiffs have had an opportunity to go through discovery would result in good cases being thrown out because plaintiffs' attorney were unable to obtain all the facts through the procedural process.

As to whether the plaintiff should bear a greater burden to rebut a defense of fair use at trial is an irrelevant issue. The Doctrine of fair use is a four factor balancing test. If a defendant raises the defense in the defendant's answer, then at trial the defendant will argue for the factors they believe favor fair use and the plaintiffs argue for the factors they believe will rebut fair use. Essentially I don't think a shift in the burden would do much unless Doug is arguing to change from the balancing test to something else entirely different. I just do not see the need for change because fair use adequately balances copyright owners economic incentives with everyone's first amendment right to free speech.


Friday, December 21, 2012

Music Only - 121221 - Music Manumit Podcast

christmas paint
christmas paint (Photo credit: cassie_bedfordgolf)



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Doug's Picks - Merry Christmas!
"First Chrsitmas Song" by Tusk Lord (lo-fi) - CC BY-NC-SA - Website
"Merry Friggin' Christmas" by Alchemy (industrial metal) - CC BY-NC-SA - Website
"Christmas Time" by Snowflake & ccMixter (Christmas) - CC BY-NC-SA - Website
"Coventry Carol" by James Edwards (acoustic) - CC BY-NC-SA - Website
"Christmas Star" by Will Heikoop (novelty) - CC BY-NC-SA - Website
"The Christmas Song" by Travis Taylor (novelty) - CC BY-NC-SA - Website


Tom's Picks
"Then to a log" by Lofiuser (Electronic, Ambient Electronic, Ambient) - CC-BY-SA - Website
"Moodswing Mixtape" by Eigenheimer (Electronic, Ambient Electronic, Ambient) - CC-BY-SA - Website
"Can I Be The One?" by The Family Simpson (Pop, Indie-Rock) - CC-BY-NC-SA - Website
"Planeterrarium" by Sweet Mother Logic (instumental, alternative, pop) - CC-BY-NC-SA - Website

Friday, December 14, 2012

Music Only - 121214 - Music Manumit Podcast

Road cut into the barren hills which lead into...
Road cut into the barren hills which lead into Emmett, Idaho (LOC) (Photo credit: The Library of Congress)



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Tom's Picks
  1. "100 Miles" by Phonotrash (electronica) - CC-BY-NC-SA - Website
  2. "5 (Ford Madox Ford Remix)" by Will Bangs (Electronic) - CC-BY-NC - Website
  3. "Hocus Pocus" by Daizy (Electronic) - CC-BY-NC-SA - Website
  4. "In The Fields" by Jan Grünfeld (instrumental) - CC-BY-NC-SA - Website
Doug's Pick - finals time means show slack time!
  1. "Losing Your Faith" by Last Kiss To Die of Visceroth (emocore) - CC BY-NC-SA - Website

Sunday, December 9, 2012

CC B-Day - 121209 - Music Manumit Podcast

Creative-Commons-Webb
Creative-Commons-Webb (Photo credit: Kalexanderson)



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In this episode:
We talk with Jessica Coates Global Network Manager at Creative Commons.

*Note - I had a problem with one of the audio files being corrupt and about 10min of the interview is missing from the middle. -Tom

Friday, December 7, 2012

Music Only - 121207 - Music Manumit Podcast

Gods of Fire



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Doug's Picks - I'm not Jewish, but I know good music when I hear it.
  1. "" by Gods of Fire (metal) - CC BY-NC-SA - Website
  2. "" by Gods of Fire (metal) - CC BY-NC-SA - Website
  3. "" by Gods of Fire (metal) - CC BY-NC-SA - Website
  4. "" by Gods of Fire (metal) - CC BY-NC-SA - Website
  5. "" by Gods of Fire (metal) - CC BY-NC-SA - Website
Tom's Picks
  1. "Monte" by Mermonte (alternative, folk, math, post-rock) - CC-BY-NC-SA - Website
  2. "Going in circles" by The Gasoline Brothers (Rock) - CC-BY-NC - Website
  3. "ZZ Top" by Ukulele Clan Band (folk) - CC-BY-NC - Website
  4. "South Beach (LIFE & LIMB remix)" by Indian Wells (Electronic, Experimental, Ambient Electronic) - CC-BY-NC-SA - Website

Copyright: Week 3-5 - The Ravings of a Mad Man

This is not legal advice. Leave audio feedback at (512) 686-6329.

I believe it was Week 2 when Nick decided he needed to leave the Lawcast for health reasons. It I'm not sure if it was Week 5, but there abouts my grandmother died.

In the interim, Brian came on board and I worked on piecing together articles for those weeks. However, I as the semester went rolling by I never went back and got out those Week 3, 4 and 5 posts.

Below the fold I give you a rough draft of what I had going on. Some say that putting out unfinished content dilutes the brand, but I say release early and release often! Brian should be coming out with critiques of my last three articles and that will knock this off the front page. If people don't like the article it will float away into obscurity. Perhaps though, the unfinished thoughts will provoke some response. Maybe the people are really interested in what I have to say about these topics.

Either way, the people will speak, even if it is with their silence.




I apologize for taking so long to get this out to you.

Assigned Reading from Copyright In A Global Information Economy:
September 11 – Fundamental Principles of Copyright Law: Fixation & Originality (Casebook pp. 45-55; 57-65)
September 13 – Fundamental Principles (cont’d.): Originality & the Idea/Expression Dichotomy (Casebook pp. 67-72; 77-93)

September 18 – Derivative Works & Compilations (Casebook pp. 99-105 (stop after para. 3); 107-116)
September 20 – Who is an “Author”? (Casebook pp. 116-129)

September 25 – Formalities & the Basics of Duration (Casebook pp. 145-156; 160-165)
September 27 – Duration (cont’d): Renewals, Transfers & Terminations (Casebook pp. 165-186)

Before I get into the substance of the two class days, I wanted to mention that I also picked up two books from the library to help with my studies:
1) Patent, Copyright & Trademark: An Intellectual Property Desk Reference. 12th Edition. This is a book by NOLO. Much like the Lawcast, NOLO notes on their copyright page:
We believe accurate, plain-English legal information should help you solve many of your own legal problems. But this text is not a substitute for personalized advice from a knowledgeable lawyer.
The point of me quoting this is to point out that this is not a book designed for lawyers, so hopefully many readers will find it useful.

2) Examples & Explanations, Intellectual Property. Third Edition.
Unlike the NOLO book, this is a book designed specifically for law students. As the semester goes on, I'll probably give thoughts on whether either of the books is worthy of purchase, but for not I wanted to make that broad distinction.

Additionally, I wanted to mention I have started listening to the Legal Geekery Podcast. I'm not sure how long I'll stick with it. I was going to call the Apple shills, but turns out apparently "shilling" is a technical legal term. Even without the potential defamation lawsuit, I don't actually think they are paid by Apple. They are, it would appear, an Apple fan boy and fan girl. As a general rule, I can't stand this class of individual. I have this same problem with This Week in Law. The male co-host of Legal Geekery even claims to be an open source guy. WHAT? If that was ever true, your gushing love of the iPhone has certainly taken that card away. I mention this in case people are looking for more information on copyright - particularly now that I'll only be doing one post a week 
 








Professor Wong is finally back from Asia! Because of this, we spent some time going back over the Constitution. In case you missed it the first time:

To promote the Progress of Science and useful Arts, by securing for limited Times to Authors and Inventors the exclusive Right to their respective Writings and Discoveries.
We then looked at §102.
102(a)
original & fixed
now known or later developed, from which they can be perceived, reproduced, or...

102(b)
not "idea, procedure, process, system, method of operation, concept, principle, or discovery"





For some reason, we back tracked and went back to §101. The definitions section (§101, in this case) is super-important






101
A work is "fixed" in a tangible medium or expression when its embodiment in a copy or phonorecord, by or under the authority of the author , is sufficiently permanent or stable to permit it to be perceived, reproduced, or otherwise communicated for a period of more than transitory duration ...



4 pieces of the definition:

1) copy

2) authority

3) permanence

4) more than transitory duration



White Smith v Apollo (1908) to Williams Electronics v Artic Int'l (1982)



more 101
Copies
material objects, other than phonorecords, in which...


Phonorecords
material objects in which sounds, other than those accompanying a motion picture





Williams Electronics, Inc. v Artic International, Inc. (page 48)


MAI Systems Corp v Peak Computer, Inc(page 50)
     why fixed?


Cartoon Networks v CSC Holdings(page 53) <-- a notes case
     we will come back to this when we do infringement


Originality...which we will continue on Thursday
1909 - "all the writings of an author"
1976 - "original works of authorship"
     did notdefine originality in Section 101


* The work must have originated from the author AND 
* It must possess a minimaldegree of creativity.

original does not really mean creative.

cult of the author in Romanticism


Fiest and Sony are two big ones.


Burros-Giles v Sarony(1884) -- page 61
     Author: "he to whom anything owes its origin"

Bleistein v Donaldson(1903)
     crass commercialness is not a problem!
     lawyers and judges make bad art critiques




Fundamental Principles (cont’d.): Originality & the Idea/Expression Dichotomy (Casebook pp. 67-72; 77-93 )
"technology posses a problem"
originality, in this context, means to "originate"
"aesthetic nondiscrimination" -- judges are not art critiques!


http://coolcopyright.com/cases/chp2/bellcatalda.htm

Feist Publications vs. Rural Telephone Service
     one of the most important cases of the 20th century

Three types of originality for photographs:
     * Rendition
     * Timing
     * Creation of subject matter

originality may depend on type of work

Domestic US law: 102(b)
domestic law and TRIPS don't mirror exactly, but they mirror in spirit
Internationally, TRIPS Art 9(2)
first time trade and IP were tied.
"Berne Convention" - mother of all copyright treaties <-- no one has ever used its dispute resolution provisions
"as such" gives people a lot of grief

Implications:
     * Ideas, facts & data are not protected unless they are expressed in an original manner. Why?

CITE TO FIEST FOR ORIGINALITY
CITE TO BAKER V SELDON FOR IDEA/EXPRESSION












Next Week: More Originality and the Idea/Expression Dichotomy

Copyright: Week 15 - Upcoming Issues

This is not legal advice. Leave audio feedback at (512) 686-6329.


Reading:


December 6 – Review & Discussion: Kirtsaengat the US Supreme Court; Google Book Search & fair use (readings & class assignment follow below)

  1. Listen to the recording of the oral arguments before the US Supreme Court on October 29, 2012: http://www.supremecourt.gov/oral_arguments/argument_audio_detail.aspx?argument=11-697
(NOTE: you may find it helpful to read along with the transcript (provided on the same page as a PDF document) as you listen to the recording.)
  1. Read pp. 364-366 (top) of the SUPPLEMENT to your Casebook.
  1. Watch the following 30-minute video featuring a talk by Professor Lawrence Lessig of Harvard Law School, on whether Google Book Search is fair use or not: http://video.google.com/videoplay?docid=-7256091247456149593&q=lawrence+lessig




Originally, I was going to talk about preemption this week. Perhaps it is because I am a Constitutional Law junkie, but it is one of my favorite topics. However, Professor Wong removed it from our syllabus. On the plus side, many of our materials (above) are free to the public, so you don't need the book we've been using to follow along.


THESIS FOR REBUTTAL: If Google Books goes to trial, it will not be fair use.

Back in Week 12/13, I didn't have the time to do a lengthy four-factor fair use analysis...and I'm not going to do one this time either. I'll leave that to Brian, because in this case I'm not sure that the four-factors will be the driving force.

First off, let me say that I'm not sure I agree with Professor Lessig about Google Book Search being fair use. It would be great if he was correct, but just like Justice Brennan and Justice Marshall dissent in just about every Criminal Procedure case, I think Lessig is on the wrong end of this (just like he was in Eldred). I'm tempted to say I think it's fair use because there is an ounce of truth that if you repeat something enough times it becomes true. Of course, the honest way to feed that machine is to say simply that it would be good policy for Google Book Search to be fair use. That is a statement I can stand by without an ounce of hesitation. However, I'm afraid the courts are going to want more guidance from Congress before pronouncing something so controversial as fair use.





When Brian and I were discussion this in meat space, he brought up the point that the anti-trust analysis is a different analysis that the fair use analysis. Perhaps then the correct way to announce my pecessism is to say that I think that it *is* fair use but that it won't survive an anti-trust challenge. 

Having not studied anti-trust law, I can't say one way or another how I really feel about the anti-trust challenge. There does, however, seem to be growing distrust of Google. In some sense, even a benevolent giant is likely to destroy a few things under its feet. I can't get past the fact that Google has had skirmishes with the law over its image search, Android and over YouTube. Google thus far has done just enough to stay on the right side of the law. 

Courts are supposed to be neutral and detached, but judges are people too. Whereas a court ruling that made image search, Android or YouTube financially unfeasible would have genuinely alter the commercial fabric of America, I personally can't see a ruling against Google Books as having such dire consequences. This might be a perfect time for a court to tell Google to step away from the infringement line. 
But, maybe I'm wrong. Lessig is not the only law professor that thinks Google should prevail in court and courts do have a history of protecting innovation against over-breadth of copyrights and patents (aside from the obvious misstep of not seeing sampling as innovation).


Law professors have spilled a lot of (digital) ink on the Google Books project. A cursory search of WestlawNext returns 9134 secondary sources on the topic (Google Scholar, which covers more than the law, returns over 1.3 million hits for the search "google book search," ~30k of which are from 2011 or 2012). I encourage all of our readers to read up on the topic. The outcome of a Google Books case could affect the outcome of a similar attempt to have an Alexandria of music online. How an online music library might be different than an online book library was originally going to be the topic of this post, so if that's something that interests you, let me know and I can make it the subject of my next post.

...which will be 2013

Have a Merry Christmas* and a Happy New Year**!

*other holidays are available
** actually, other New Years are available too, which makes me wonder why no one gets in a huff when you wish them a New Year on January 1st? What about Jewish New Year? What about Chinese New Year? Anyway, for those of you in school or taking time off for whatever reason, I hope you enjoy it!

Sunday, December 2, 2012

The Neologist - 121202 - Music Manumit Podcast

The Promise of Eternal Separation - The Neologist



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In this episode:
We talk with musicians Devin and James of The Neologist